I’m a comedy writer, but I’m also a Jane of all trades
I’m a theater director and my New York directing credits include SIGH by Justine Gelfman, THROUGH THE HEIGHTS by Amanda DeLalla, COOKIE’S GONNA CRUMBLE by Olivia George (Dark Matter Productions, La Maison D’Art) MARNIE AND PENELOPE OF LOWER BLIGHTOWNSHIP (Dark Matter Productions, Dixon Place), A MOMENT OF SILENCE by Alli Costa (13th Street Rep’s IN HER NAME festival), CASTLES ARE COMMON IN SCOTLAND by Alex Wyatt (Exquisite Corpse), BETTIE PAGE IN THE MODERN AGE by Piper Werle (ESPA Advanced Playwriting), HOLY WEEK (WHOLLY) by KJ Gormley (Mots de Changer, Dixon Place) DOUBLE DIPPED by Megan Meinero (TinyRhino), IN THIS DANCERY by Natyna Osborne (24 Hour Plays: Nationals) BLUE SKIES AT HOME by Rae Binstock (Manhattan Rep), and CAMP TUPPER LAKE by Veronica Cooper (ESPA.) Oberlin College directing credits include 4000 MILES by Amy Herzog, CIRCLE MIRROR TRANSFORMATION by Annie Baker, CENTRAL PARK WEST by Woody Allen, and 8 by Dustin Lance Black. I have assistant directed for the 24 Hour Plays on Broadway, |the claque|, Theatre for the New City, Dixon Place, and Bedlam Ensemble.
I’m also a content writer. Here are some of my credits!
For Craftsy: Wrote about mindfulness journals and healthy breakfasts.
For The Billfold: Wrote about personal finance, meal kits, the gig economy, focus groups, and cash back apps.
For Dr. Sandra Lee’s The Pretty Pimple: Wrote about eczema and dermatology apps.
For Greatist: Wrote about vegan products you can get on Amazon.
For Chowhound: Wrote about DIY soda, saving money at Whole Foods, and the difference between white and whole grain bread.
For Female ACES: Interviewed females in the film industry and wrote their breaking in to the industry stories.
For idk tonight: Wrote about NYC food halls.
In addition to those things, I am an audio narrator. I record myself reading articles for companies like Slate, Mashable, Jezebel, Lifehacker, Reuters, TechCrunch, LifeHacker, IGN, HuffPost, Gizmodo, Mic, and Bustle, and that work gets published in podcasts via the company SpokenLayer.
And I transcribe audio and video and have done so for clients including Full Frontal With Samantha Bee, Playbill, The Tectonic Theatre Project, true crime shows, documentaries, and more.
Interested in hiring me to write your content, narrate your content, direct your work, transcribe your work, or produce your podcast? Go here.